Body awareness playing the piccolo
MY OTHER COURSES:
Play with Nicola the famous aria from Donizetti’s “L’Elisir d’Amore”.
Play with Nicola the famous aria from Rossini’s “The Barber of Seville”.
In this lesson you will learn all the benefits of sing and play practicing and an exercise to do it.
When it is time to buy a new piccolo, there are many questions to ask: to avoid making mistakes, it is good to know very well the difference between buying in-store, online and from an artisan, which two elements to consider before purchasing and the three piccolo market segments.
In this lesson, Nicola Mazzanti will teach you what to pay attention when studying scales and why some flute students fail to play scales on the piccolo, with the solution of this problem. Finally, he offers you two exercises to start practicing on scales and on arpeggios.
In this lesson, Nicola Mazzanti will explain you how to play piccolo without blocks and stiff positions and how to play the notes easily in the three octaves. You can also practice with two exercises to train flexibility.
Nicola Mazzanti in this lesson wants to explain why the study of low notes is fundamental for the piccoloist to have a deep and warm sound on the instrument. You will also learn all the correct positions for playing low notes, and you can practice with three exercises to train low notes.
On which part of the chin shall I place the instrument? In the same place where the flute goes? A bit above? A bit on the side? In this video I shall try to answer this question.
“Dear friends, in this video we will talk about the embouchure: that rather mysterious thing that is about the position of the jawbone and the use of the facial muscles, paying specific attention to those around the mouth.”